Monument to the Fourth International, 2025
Chulayarnnon Siriphol
Installation
“Monument to the Fourth International” questions the need for a contemporary art eco-system that promotes diversity and openness.
This project re-appropriates Vladimir Tatlin’s ‘Monument to the Third International’ (1920), specifically how it presents the ideals of the modern world as a revolutionary drive. The basic problem of the centralization of art and cultural management serves as the foundation of the ‘Monument to the Fourth International’, which leads up to the establishment of a contemporary art council on the first level, contemporary art workers on the second level, the funding bodies for contemporary art on the third level, and contemporary art institutions on the fourth level. These ideals are developed into ideas how the creative economy, art tourism, art market and auction might create value for contemporary art, and how the taxes collected within these entities can be used to fund the ‘Monument to the Fourth International’.
What will contemporary art look like in the coming century? ‘Monument to the Fourth International’ is an infrastructural blueprint for the ideal eco-system that supports a meaningful and sustainable growth of contemporary art, thus giving a second life to the previously aborted Golden Snail.
Photographer - Chulayarnnon Siriphol
On Site
About the Artist
Chulayarnnon Siriphol (b.1986) is an artist and filmmaker based in Bangkok. His multidisciplinary practice spans short films, experimental videos, performance, and video installations, often using moving images and his own body as his primary media. His work engages with narratives, myths, and fragments of history both within and beyond Thai society, recasting them into science fiction infused with humor and satire of contemporary society. His works often feature a recurring protagonist—the artist’s analog body, transformed into a digital spirit. They reflect the future not as a distant fantasy, but as a present shaped by the convergence of mythology, memory, and advancing technology. He received the Grand Prize from the 2025 Taoyuan International Art Award for Red Eagle Sangmorakot: No More Hero In His Story. Notable presentations include Ten Years Thailand at the Cannes Film Festival (2018), and solo exhibition: I a Pixel, We the People (2025) at Bangkok CityCity Gallery.
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