Libor Novotný is a creator of objects and spatial installations, often conceived for public space in the form of interventions. In terms of content, in the past they were often based on work with text and semantic messages, and gradually they began to show an interest in physical processes and natural phenomena. However, this "naturalness" was always associated with cultural symbols and was in a certain way contaminated by civilizational or technical impulses. Currently, this natural visuality is slightly lost and the works have mimicry of traditional sculptural work, even though it grows out of the same type of thinking.

The cultural references mentioned here take the form of recycling and using already existing forms from the history of art (crucifixes, sculptural portraits of antiquity and the Baroque, etc.). An important part of Novotný's approach is drawing, which is very often at the beginning of the work process as a way of immediate reflection on things and phenomena. A certain part is subsequently finalized in the material, but some consciously remain only on paper and form a kind of parallel interpretation of specific stories and situations.