The word "Yé," meaning "him" or "the other" in Lingala, becomes the starting point for a performance that questions the invisible aspects of our daily relationships: what we perceive, what we project, what we hide in the way we look at others and in the way others look at us.

Dressed in white, my head enveloped in a cube of mirrors, I wander through the public space. This cube captures and reflects the faces of passersby, which replace my own. This simple yet powerful gesture creates an ephemeral fusion between me and the other, materializing this invisible and often unconscious part of the identities intertwined in urban life.

Accompanied by a multilingual soundscape composed of whispered voices collected from different communities, the performance gives substance to the invisible: thoughts, doubts, and silent projections that permeate human interactions in the city. This poetic intervention seeks to disrupt the usual flow of everyday life, to create a space for encounter and reflection, to reveal what usually remains veiled—the complexity, richness, and sometimes fragility of human relationships in public spaces.

Like Adrian Piper's Catalysis or JR's projects, Yé delicately and engagingly questions the place of the other, the invisible forms of presence, and the untold stories that traverse our cities.